RCE — Berliner Ensemble — Kay Voges

For the theatre play Remote Code Executions (RCE), based on the book by Sibylle Berg, directed by Kay Voges, I contributed AI based visuals.

Together with 9 other digital artists, I was tasked to come up with visuals for different sections of the play. I devised a pipeline with TouchDesigner and a special tox by DotSimulate that allowed me to use StreamDiffusion, an extremely fast version of StableDiffusion, within TD.

The pipeline looked like this:

The entire text of the play was delivered as an audio-file, spoken by an AI voice, cut together by Kay Voges.

  • Transcribe this audio-file via youtube
  • Let youtube translate it to English
  • Use the time coded transcription to prompt StreamDiffusion
  • Generate an image-stream that is constantly changing based on the transcription prompts, based on an audio-reactive visual that itself is being driven by the audio-file

This allowed me to generate a ton of material really, really fast.

Here you can see the output of my process:

  • Left: The Visual and the Transcription + Translation
  • Right: The generated AI-Stream

Using StreamDiffusion, I defamiliarized some videos that were delivered to me, which resulted in some rapid, abstract visuals that were used throughout the piece.

One of the videos I defamiliarized using StableDiffusion in this case

Then I generated some AI-Zooms that generated images based on a feedback technic. This led to some very trippy, computer dream visuals. Those took the computer the longest. In one case, I let the computer run for 3 days.

Lastly, I created a visual that I wanted to do for a long time:
I let the computer detect patterns, shapes, objects, and animals in clouds. I used the media pipe pipeline in TouchDesigner to let the computer tell me what it sees when looking at clouds.

Picture Credits: Moritz Haase || Marcel Urlaub

Videodesign, Montage:

Digital Artists:

Regie:

Bühne:

  • Daniel Roskamp

Kostüme:

Musik: