Creability – Un-Label

I was part of the artistic group that collected their methods for this handbook for creative methods for theatre and performance with mixed abled groups. In the later process, I co-authored and finalized methods together with Mia Sophia Bilitza.


Project term: summer 2018 to autumn 2020

How can we help deaf participants to take part in a voice-led rhythm exercise? How can a dance warm-up be done in a wheelchair? In Germany and Greece, national pilot groups of professional artists with and without disabilities examined tried-and-tested artistic work methods from dance, acting and music. The groups developed innovative approaches and alternatives to be effortlessly used in future inclusive practice.

In a second step, the participating artists exchanged insights and field tested the methods developed by the other group. Finally, the practicability of the most promising approaches were further tested externally by inclusive youth groups, creative professionals and schools.

The TU Dortmund University monitored the project and ensured that the methods produced met the latest scientific standards. We published a manual featuring a selection of the best tested and standardised methods to provide a valuable toolkit for those who work in the field of inclusive culture, education and youth work.

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